Availability starts 02/12/2021 11:59 am ends 03/12/2021 11:59 pm
Details of Movie
|Festival||Official Massimadi Selection 2021|
|Trigger Warning||Homophobia and heterosexism|
|Trigger Warning||Racism and racial slurs|
|Trigger Warning||Transphobia and trans misogyny|
As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realised far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered. Courtesy of a rare-record collector in Japan, a reissue of Keyboard Fantasies and subsequent plays by Four Tet, Caribou and more, the music had finally found its audience two generations down the line.