Homunculus explores the fetishization of the North African male body in digital gay meeting spaces, where desire and rejection mingle within the Western gaze. The film questions how the collective imagination, nourished by colonial myths and modern stereotypes, transforms the “Arab” into a figure both seductive and threatening. Using the video-game universe of Skyrim and its heroic-fantasy aesthetic, the work creates a parallel between the fantasized figure of the Arab in a world of “Vikings”, an emblem of virility and racial purity. Through his own avatar, a golden-skinned elf, the director exposes the racist construction that imposes a sexualized and violent identity independent of the character’s nature. The film aims to be a critical mirror of collective projections, where contemporary dynamics of racism are revealed in virtuality. Part documentary, part essay, Homunculus invites viewers to reflect on the historical and current mechanisms of oppression and fantasy, revealing the deep roots of destructive stereotypes.